I had a job as the Associate Producer at a corporation’s private television station. I resisted going there from my quaint little small production company job. But it turned out great. I had benefits that allowed for my wisdom teeth to come out, my transit costs taken out of my pay BEFORE it was taxed, and even a discount on my cell phone bill. Further, and most importantly, it, in so many ways, facilitated my ambitions.
But now I don’t have that job. And in honor of it and a couple of corporate jobs before it, I finally present to you my short film, Corporate Whore (TRT – 0:01:05m).
The story of this short is this: In 2003, I was working for a Re-Insurance company (you read it right- an insurance company that insured insurance companies. I know. Apparently this is legal and makes lots and lots of money). The environment there was hostile, racist, sexist and difficult– but instead of hating it, I thrived on it and creatively, came up with a poem/story of the Corporate Whore.
I knew there was a character there. First she was within a feature script I wrote. Then she was in a TV show I had kicking around… Then she kind of resurfaced in another different feature script I finished, Tuesday, and there she remains embodied. But at the end of the day, I still at least just wanted to make this stop-animated angsty film-school type piece of this female professional.
Just about every aspect of this animation came together thanks to a traditional corporate office element or situation.
What I did was use PowerPoint to generate the words and art. I chose free, cheesie, abstract clip-art of a professional looking woman and for each line of the poem, I modified each slide so that the girl kind of… came undone via a missing tile, change in color or deleted body part. The number of steps the clip-art took to progress into nothing dictated how many verses of the Corproate Whore “poem” would be used. Besides, I did not want to edit more than 1 minute worth of stuff anyway.
When I compiled the slides I printed them out in color. I then Xeroxed my face and made lots of copies. I cut little, appropriate “white-outs” that covered the words so that when I ran the b&w copy of my face onto the color slides that resulted in the background you see in the film.
For example, instead of being fancy and using Photoshop, I used a common office product like PowerPoint. That’s how I implemented cutting & pasting, printing things, making copies, etc. to make up the short. Besides, my background was making zines in the 90s. This was really my native format.
Then I lit it with a fluorescent light (as in an office). I got extra office supplies and props, then set up the shoot with my kick ass little Sony PC330. Despite my camera acting up a bit due to dirty tape heads (I think), I eventually digitized what I needed. The completed short was about 95% animations with a couple of effects, speed changes, and regular video.
You see, I didn’t start out with an elaborate vision of how to compile this thing, just an over-arching idea; then I let it un-fold depending on what was available from poking around work, playing with software, or hanging out at home. I think that the broken glass was from a picture frame that I kept laying around for this months later.
I needed music. Only a few things would work for the specific feel I was going for. It just so happened that I got some discs to review for my feature documentary and one musician had already stood out as being a possibility. Matthew Golombisky. Bingo. He not only had the PERFECT score on his sound resume, but he is super cool enough to let me use it!
Please note that 3 years had passed when I finally shot it, then another year before I present it to you here.
So check it out, my homage to corporate culture, Corporate Whore.in QuickTime on my website. Or if you want, check it out on MySpace or YouTube.
Also newly posted are the following projects:
Rex: An Intimate Portrait (or check it on MySpace and YouTube)
Electronic Devices: Part I on MySpace and YouTube
Electronic Devices: Part II on MySpace and YouTube
(I broke this one up into parts because it was more than 10 min total. We shot this in 2002.)